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Even if you donвЂ™t (point and shooters, this means you) the easy to grasp flow of the interface, how you use the modules and the tools in them, makes sense, and everything is 'undoable'. The terminology and basic functions will all be familiar and easy to understand if youвЂ™ve got a simple understanding of cameras. Yes, other can use it too вЂ“ but all the tools are ordered and described in a flow that suits the photographer. Original image from BYOL photography trainer Katrina Weidner.

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Click here to download hi qualtiy desktop wallpaper 2880 x 1800px.Дў. We need to break down some of the choices so that you can start somewhere.ДЎ. I agree that mastery of one, then the other will be easier for you. Some people will prefer to work in one program or the other for ease of use, and to avoid having to learn too much at once. This is why using both programmes is so great. For most photographic concepts and functions вЂ“ Lightroom is THE purpose built solution. The RAW file is the 'negative' of the old film days - you can reprint that negative as many times as you want, in as many ways as you want and itвЂ™s simple. Lightroom saves those changes, but you can go back anytime and undo, redo or retry. Lightroom can change pixels without any permanent change to the underlying file. ItвЂ™s the power to bring pieces together in separate layers that gives you flexibility only limited by your imagination, and your mastery of the tools. But when I have to design a brochure, add text, incorporate images together, Photoshop is king. 3D artists do this all the time as a common example.ДЄs a heavy Lightroom user, I see Photoshop as a вЂfinishing toolвЂ™ for my images. You can import your Illustrator file and add some real world atmosphere and texture to bring your picture into вЂrealityвЂ™. For example, you might have produced a great image in Lightroom, but in Photoshop, you can add a texture layer that transforms your image into a вЂpainting'. Pixels lets the user combine images and pieces of images in new and interesting ways. The ability to work in layers and to mask, rather than delete. All of these programs can open their files (and vice versa in many instances) in Photoshop because in there are the tools to really go to town and make your images do things. Lightroom handles photos with speed and precision. InDesign does layout for publishing better.

Adobe Illustrator does illustration better. Photoshop has its roots in making Star Wars look more realistic, and easier to make. It makes it possible to illustrate the impossible вЂ“ or to at least improve on reality. Its influence and involvement in the recent history of art and image expression cannot be understated. Photoshop is the granddaddy of all image editing software.

This means there are some things you just canвЂ™t do. Lightroom stores changes to pixels, while keeping the original file untouched. Once again, itвЂ™s because Lightroom is for photographers, and very few of us come back with just one picture.Д«y now, youвЂ™ve probably twigged that Lightroom is a play on вЂdark room.вЂ™ And everything you used to do in a darkroom (and a heck of a lot more) is now at your fingertips without the mystery, complexity,cost of chemicals and hardware, or even a dedicated space.Д«ut due to the focus of LightroomвЂ™s functions, there are limits. You can directly compare images against each other. You can create collections and selections of images. You can copy and paste your changes from one image in Lightroom to any and all other images. Photoshop just opens one file at a time, and you have to use Adobe Bridge, a separate, but very powerful in its own right, program, to manage all your files.

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You can import hundreds (thousands in my case) of images and effectively organise and archive them. You have lots of photos, yeah? Lightroom understands that. And hereвЂ™s the kicker: all the tools in Lightroom are included in in Adobe Camera RAW (ACR) in Photoshop. Well, given that you can get both together at a very low price via AdobeвЂ™s CC (cloud) program вЂ“ you donвЂ™t have to decide.